
Elephant Buffet near Chiang Mai
In a case of sheer stupidity or brilliant marketing, some guy wrote a Letter to the Editor published today in The Nation, the alternative English-language daily newspaper to the Bangkok Post. He complains about some film being show now in New York City, courtesy of the Tribeca Film Festival, started by Robert DeNiro to help revitalize the city after the events of 9/11.
I think it's a plant, since the letter author uses too many buzzwords about sex and depravity in Bangkok. Yeah, so what else is old news. He then forgets to complete the story about the film; the part where Buddhism saves a soul and provides redemption for one of the brothers. This actually sounds like a great film, to me, but what is the self interest and motivation to the guy who sent in this letter to The Nation?
For more information about this film, go to the Tribeca search engine posted below, and just ask for "Elephant." It goes to some Flash-based monstrosity that has not got the decency to post a URL.
The Elephant King
Discovery
[ELEPH] 2006 92 min
Directed By: Seth Grossman
World Premiere
This pensive, artfully crafted drama explores the twisted symbiosis between two American brothers-one domineering and nihilistic, the other guileless and introspective-as they binge on drink, drugs, and women in exotic Thailand. Jake Hunt, who has abandoned his anthropology research for a life of debauchery in the village of Chiang Mai, invites his younger brother Oliver for a visit. Oliver, an aspiring writer suffering through a bout of depression so severe that he tried to take his own life, reveres Jake despite the fact that Jake bullied Oliver throughout their childhood.
Intoxicated by both his reunion with Jake and his newfound freedom from responsibility, authority, and structure, Oliver leaps headfirst into Jake's decadent world and falls hopelessly in love with Lek, a comely Amerasian bartender whom Jake paid to be nice to Oliver. Jake, filled with self-loathing, can't make up his mind about whether he wants to sabotage Oliver's relationship or protect his brother from being hurt. A confused and angry Jake pays Lek a visit and unleashes his rage, thereby setting the film on a course towards its bloody, tragic conclusion.
By this point Oliver has rejected his brother's depravity and turned inward instead, finding solace in the Buddhist belief that life is illusory and all things cease to exist in the end. Writer-director Seth Grossman's compelling film is topped off by memorable performances from veteran actors Ellen Burstyn and Josef Sommer as the brothers' parents.
- David Bushman
Tribeca Film Festival Search Link





























































